Agents

If you’re like most writers, you’re probably not writing just one book. You’ve written multiple books, possibly in different genres. You may have a whole 3 or 6 or 9-book series planned. So the question naturally arises: Should I pitch my whole series to an agent? Should I tell them about my entire body of work?…

One of the primary advantages of having an agent is that you have an advocate who can handle all the negotiations with the publisher and navigate difficult territory, allowing you to maintain a positive working relationship with everyone at your publishing house. This positive relationship can have huge implications when it comes time for a…

Here are a few questions I often receive about queries and what I say in response: You said “don’t pitch a novel unless it’s complete.” Do you feel the same about query letters? Do we only query completed works, or are ideas fair game? If you are sending a query to an agent, only pitch…

A writer asked: If you have a bunch of book ideas, how do you decide which ones are viable?     FOR NON-FICTION: Spend some time on each idea, one by one. First work on a rough outline of what the book would be. List the themes and topics you’d want to cover. Ask yourself:…

People in and around this business have long used the word “gatekeeper” when referring to those in publishing tasked with choosing which books to publish or represent. Since the rise of self-publishing, it has become a debate—often heated: Down with the gatekeepers! Hooray for the gatekeepers! But gatekeepers are not what you think. There is…

It’s always exciting to hear from your agent that a publisher is interested in your story and is considering offering you a contract. Right? Of course it is! Once you hear those cherished words, it’s hard to wait for the next step. An unpublished author recently wrote me: I have an agent who has always…

The most common mistakes writers make, in my opinion, are… a They don’t research the agency they want to pitch. a They pitch their product long before it is actually ready. They are so anxious to get published that they don’t rewrite and edit well. a They don’t do a good job with the competition…

A writer asked: “How much communication should you expect from your agent? Is it unrealistic to ask them to let you know to which publishers they’ve sent a proposal? Should they give you periodic updates (perhaps quarterly?) or are agents generally so busy that it’s unfair to expect them to contact you unless they receive…

A writer asked: “If you are working on revision suggestions for one agent with whom you have NOT signed, should you still query other agents?” Simple answer: No. If the agent has given you revision suggestions but not agreed to represent it, you should honor them (the fact that they took the time to give…

So, I happened across a Facebook group for writers and there was a discussion about finding an agent. One of the writers mentioned that an agent to whom she’d submitted had requested a book proposal for her non-fiction book. Her question was: What is a book proposal? Perfectly good question. But it shows this writer needs…

Katie asked:   I was wondering, what if I get an agent and she tries to sell two or three of my novels, all in the same genre, and nothing sells. What would happen in this case?   Well Katie, sounds like you and your agent will be at a crossroads and need to make…

I’m blogging over at Books & Such today. Here’s a preview: One of the primary advantages of having an agent is that you have an advocate who can handle all the negotiations with the publisher and navigate difficult territory, allowing you to maintain a positive working relationship with everyone at your publishing house. This positive…

Many of you have been reading my blog for a while, but you might not be aware of how much information is available in my archives. Just as a refresher, I wanted to highlight some posts you might find helpful. Have you seen my DEFINITIVE post on How To Get Published? Do you need to…