Submitting

When you’re trying to interest an agent or publisher in your book, you’re often asked to provide “comps” — other books that could be compared to yours, or books that might compete with yours. A good book proposal always has a “Competition” or “Comparable Books” section, and even if you’re self-publishing, it helps if you give…

I’m blogging at Books & Such today. Here’s a preview: When you’re a debut author trying to break in to traditional publishing, one of the most important things to remember is this: Minimize the obstacles. You already know it’s not going to be easy to break in, so you want to avoid making it even…

I’ve posted on this topic numerous times, but since I’m going to a conference this week and will be hearing dozens of pitches, I wanted to go over (once again) some tips for pitching to agents and editors. We can probably all agree on the “don’ts” of pitching your project. Don’t pitch in the bathroom.…

I’m blogging over at Books & Such today. Here’s a preview: This week, we’ve been telling you about our experiences at the ICRS convention where we spent the bulk of our time talking with publishers and editors about you — our clients. These meetings put us in the same position you’re in at a writer’s…

I was going through my current batch of query letters, and while many of them are very good, it reminded me how difficult it is to write a strong pitch. You have to accomplish so many things in a concise format: introduce your book in a way that the agent wants to read it; give…

Next week I’m headed out to the ACFW conference (American Christian Fiction Writers) and I’m sure I’ll see some of you there! Rachel’s post yesterday on the Books & Such blog gave some great advice about talking to agents and editors at conferences: It’s Not All About the Pitch. But I know many of you…

One of the most common complaints writers have these days is how hard it is to write a query letter. I agree, it’s a difficult task. You may not realize that agents have to write query letters (“pitch letters”) too. Whenever we send a manuscript to an editor for consideration, what do you think accompanies…

Writers often ask me, “How do I figure out what genre my book is?” While the answer is straightforward for some people, it can be a tricky question for others. It becomes even more complicated if you’re also resisting the idea that you have to put a classification or label on your novel at all.…

In your publication journey, there’s a good chance you’ll be asked, at some point, to provide some “comps” for your book. Why do we ask this? Why do we care? What are the advantages of writing a comprehensive “Competition” section in your book proposal, or being able to talk intelligently about other books in the same…

Dear Rachelle: I am about to search for an agent. My first book is a memoir, and an agent said he would like to see it. My second book will be a novel, set in South Africa. I believe it will sell very well in South Africa, less so in the USA. Do I select…

In yesterday’s blog comments, Marielena wrote about the responses she was getting to her query letter. She said: I know it’s probably individual to each agent, but what makes a book “not a good fit” — is that a polite way of saying the book still needs work? That’s a good question, Marielena. Yes, it’s…

Writers often ask whether it’s okay to do simultaneous submissions, meaning sending your query to multiple agents at one time. Just to ease your mind, most agents agree that it doesn’t make sense not to do simultaneous submissions. It’s too inefficient to send something to one agent, then wait until they respond before sending to…

I was talking to a writer who mentioned she hadn’t worked too hard to come up with a great title for her book. When I asked her why, she said she’d been to a workshop taught by an editor at a major publishing house, who said, “Don’t get too attached to your title — there’s a good…

I’m teaching at two writers’ conferences this month, and that means I’ll have quite a few one-on-one meetings with writers. There are plenty of blog posts giving advice to authors for how to behave at conferences… but for some reason, we never see advice for agents! I guess we’re just supposed to know this stuff by osmosis or something.…