Rachelle Gardner

This is an incredibly exciting and yet bittersweet announcement! We’ve been waiting so long to tell you about this beautiful book that Rachel Held Evans wrote. Brilliant children’s book author Matthew Paul Turner finished and fully realized it, along with our gifted illustrator Ying Hui Tan. It’s the fulfillment of one of Rachel’s many aspirations,…

  If your goal is to publish your book with a medium to large traditional, royalty-paying publishing house—then you want to seek agent representation. Very few large houses these days accept submissions from unagented authors. Getting an agent is one way to know you’re on the right track. If you get a yes from a…

The dreaded comps! When you’re trying to interest an agent or publisher in your book, you’re often asked to provide “comps” — other books that could be compared to yours, or books that might compete with yours. A good book proposal always has a “Competition” or “Comparable Books” section, and even if you’re self-publishing, it helps…

Song lyrics! It’s oh-so-tempting to use them in your novel, isn’t it? Or your memoir. Songs can be so evocative… they can express that exact right feeling in the exact right way. But hold up. Sometimes it’s not the best idea. If you’re going to include lyrics – or excerpts from poetry – you’ll need…

by Kara Leonino, Tyndale House Publishers When she walked over, all the signs were there. I could tell that her smile was trying to say, “I am excited to be here,” but fear was hovering close. As she sat down, I could see the subtle shaking in her hands and the lilt of her voice…

You probably know why you’re writing your book. But do you have a good handle on what would make someone want to read it? It’s important for you to not only know this, but make sure it comes through any time you’re talking about your book — pitching it, writing a query, writing a proposal…

  Book titles! Here’s the important thing to remember: **YOU CANNOT COPYRIGHT A TITLE.** This is why you see the same titles on multiple books, movies, songs, albums – any creative work. Nobody has a claim on any particular title. You want to name your book The Godfather? Go for it. When you’re thinking about…

Ah, the age-old dilemma. How to get an agent? Why does it seem like such an uphill battle? It even sometimes feels like agents are actively trying to keep you out! Exactly WHY is it so hard? First, let me be clear: we agents love nothing more than saying YES. Our favorite things are finding…

Word counts! Here are some ideal word count ranges. If you’re trying to break in, stay within these guidelines to decrease your obstacles to getting published. Adult fiction: 75k-100k words (sweet spot is 80-90) Sci-fi or fantasy can be up to 120k. YA fiction: 50-90k Nonfiction: 70-80k Memoir: 75-95k Self-help: 40-55k Children’s picture books: 300-1000…

Book proposals! Who needs them, and when? You need to prepare a book proposal if you’re pursuing traditional publishing (as opposed to indie) and you’re writing NON-FICTION (including memoir). If you’re writing fiction, then you don’t need a full proposal, but you’ll need to prepare a synopsis, and probably gather some comps as well. There…

So you have an indie-published book and you’re thinking about pursuing traditional publishing? That’s fantastic. Welcome! Most agents and publishers aren’t interested in your already-published book. Instead, we want to see your NEXT book. I’ve seen wonderful indie-published books that have sold units in the six figures, and traditional publishers still didn’t bite. Why? Partly…

New writers often worry that there’s no place for them in publishing. I constantly hear writers calling it a catch-22. “You can’t get published if you’ve never been published.” That couldn’t be further from the truth! Publishers are in constant need of fresh voices, so they’re always looking for a strong debut author. In fact,…

There are different kinds of publishers you can approach – from traditional, full-service publishers that operate on the advance + royalty model; to smaller publishers that use a co-op or hybrid model (author and publisher share costs); to self-publishing companies in which the author pays the costs. Most of the publishers in the first group,…